Pro Sound Effects

• Behind the Sound of Devotion

• Behind the Sound of Weird: The Al Yankovic Story

• Behind the Sound of Knock at the Cabin

• A Brief History of Sound Effects

• Sound Effects vs. Sound Design

• What is Foley?

• What is Worldizing?

• What is Walla?

• What are Ambisonic Sound Effects?

• Session Organization Tips for Dolby Atmos

• How to Start a Career in Post-Production Audio

• When (and How) to Use Mono, Stereo, Surround, & Spatial Sound Effects

• Sound Design Tips for Trailers and Teasers

• How to Learn Sound Design

• How to Use Sound Effects

• How Are Sound Effects Made?

• How to Find the Right Sound Effects

• PSE Teams Plans

• SCAD Sound Design Program case study

• Harbor Media Company case study

Vintage King Audio

• Keep On Learnin': A Look At Stevie Wonder's Innervisions, 50 Years Later

• What Music Mixers Can Learn About Dolby Atmos From Film Mixers

• Upgrading Your Studio for Immersive Mixing

• Adam Friedman interview

• Francesco Cameli/Sphere Studios interview

• The History of Compressors in the Studio

• The History of the Studio Console, Part 1

• The History of the Studio Console, Part 2

• Neumann Originals: Landmarks and Innovations Throughout Neumann’s History

• The Dark Side of the Moon at 50: What We Can Learn From Pink Floyd’s Magnum Opus In 2023

• Dweezil Zappa: From Muffin Research to Dolby Atmos (Playback Magazine 004 cover story)

• The Benefits of Mixing with Headphones

• The Benefits of Mixing with Passive Monitors

• Studio Spotlight: Gojira’s Silver Cord Studio

Reverb.com

• Will Immersive Audio Change the Future of Music?

• Making Portishead's "Dummy": The Production Experiments of a Trip-Hop Classic

• What Makes Motown Sound Like Motown? (with video)

• The Basics | Pro Audio Concepts (mini-series)

• The Basics | Anatomy of a Recording Studio  (mini-series)

• 6 Skills You Need to Compose Video Game Soundtracks, According to the Pros

• 6 Echo Chambers that Shaped the Sound of Pop Music

• A Practical Intro to Stem Mixing

• The Easiest Way to Record Your Synthesizer (with video)

• The Easiest Way to Record Your Acoustic Guitar (with video)

• The Easiest Way to Record Your Electric Guitar (with video)

• Adding a Subwoofer to Your Home Studio: What to Consider and How to Set It Up

• How to Use Acoustic Treatment in Your Home Studio

• How to Make a Reverb Effect out of Common Instruments

• How to Make Your Own Tape Delay Using an Old Reel-to-Reel

• 4 Workflow Tips to Capture Inspiration When it Strikes

• Audio Interface Buying Guide

• Studio Monitors Buying Guide

• How to Record an Upright Piano: a Look at 5 Distinct Mic’ing Techniques

• Making Your Music Pay: a Conversation with Music Business Accountant Alexis Kimbrough

• 3 Ways to Give Your Drum Loops a Little More Sonic Character

• How to Record Djent in Your Home Studio

• How to Record Dream Pop in Your Home Studio

• How to Get the Nashville Sound in Your Home Studio

• 8 Famous Guitar Tones that Were Recorded Straight Into the Board

• The Tascam Portastudio Through the Ages

• What to Consider When Setting up Your Listening Room

Blue Microphones

• Mixing Tips for Making Your Home Recordings Sound Huge

• What Makes a Studio-Quality Microphone?

• Hack Your Brain With These Unique Vocal Recording Tips

• Podcast Production Made Easy: Hindenburg Journalist

• Blue USB Mics Receive Official Discord Certification

• How to Use Yeti and Yeti Nano with an iPhone, iPad, or Android Device

• The History of the Console Wars (not audio-related, but fun!)

• Behind the Streams: Ceddy

Sonic Scoop​

• Networked Audio for Beginners: Demystifying Dante, AVB & More

• 7 Ways to Record Bass More Creatively

• How to Record Every Type of Kick Drum

Apogee Digital

• The Apogee Guide To Voiceover Recording, Part 1 - Voice Actor Jeremiah Mullins on Getting Started

• Apogee HypeMiC - The Key to Pro-Quality Vocals for Music, Podcasting, Voiceover and YouTube

Ultimate Ears Custom

• 11 Immersive Songs You Have To Hear on Earphones or Earbuds

• Why You Should Mix With in-Ear Monitors

Reason Studios (Propellerhead) Blog

• Sound Design Tutorial: How to Make a Fat Analog Bass Sound

• Soft Synth Buyer’s Guide: Choosing the Right Synth Plugin for You​

• How to Make a Drum n Bass Track in Reason

• How to Record Retrowave with Reason 10

The License Lab

• Stems Part 1

• Stems Part 2

Miscellaneous

• Zoom blog: Telling Stories with Sound | Mark Lanza

• JBL Professional: Composer Joseph Trapanese Dolby Atmos Upgrade

• HARMAN Professional application brief - networked AV for restaurants and eatertainment

• JBL Professional case study - Wylie Stateman/The Queen’s Gambit